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Emancipación afroamericana, 'Billete sin retorno' en el MoMA

Emancipación afroamericana, 'Billete sin retorno' en el MoMA

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  • Gordon Parks "Harlem Newsboy", (1943

    Gordon Parks "Harlem Newsboy", (1943

    Gordon Parks. Harlem Newsboy, Harlem, New York. 1943. Gelatin silver print, 14 1/8 × 14″ (35.9 × 35.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of The Friends of Education of The Museum of Modern Art and Committee on Photography Fund. Courtesy of and copyright The Gordon Parks Foundation. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY
  • Jacob Lawrence. The Migration Series. Panel 22 ( 1940-41)

    Jacob Lawrence. The Migration Series. Panel 22 ( 1940-41)

    Jacob Lawrence. The Migration Series. 1940-41. Panel 22: “Another of the social causes of the migrants’ leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY
  • Charles White "Hijo nativo", (1942)

    Charles White "Hijo nativo", (1942)

    Charles White. Native Son. 1942. Ink on Paper, 27 × 17 1/2″ (68.6 × 44.5 cm). Howard University Gallery of Art, Washington, D.C . © 1942 The Charles White Archives. Photograph by James K. Pleasant

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