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Emancipación afroamericana, 'Billete sin retorno' en el MoMA

Emancipación afroamericana, 'Billete sin retorno' en el MoMA

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  • Jacob Lawrence. The Migration Series. Panel 14, (1940-41)

    Jacob Lawrence. The Migration Series. Panel 14, (1940-41)

    Jacob Lawrence. The Migration Series. 1940-41. Panel 14: “Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY
  • Cubierta, para William Attaway, "Con ropa de trabajo"  por Charles Alston. "Blood on the Forge", (1941)

    Cubierta, para William Attaway, "Con ropa de trabajo" por Charles Alston. "Blood on the Forge", (1941)

    Cover from William Attaway, with dust jacket by Charles Alston. Blood on the Forge. Garden City, NY: Doubleday, Doran & Co., Inc., 1941. Collection of Leon F. Litwack. Photograph courtesy Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library
  • Jacob Lawrence. The Migration Series. Panel 17 (1940-41)

    Jacob Lawrence. The Migration Series. Panel 17 (1940-41)

    Jacob Lawrence. The Migration Series. 1940-41. Panel 17: “The migration was spurred on by the treatment of the tenant farmers by the planter.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.

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