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Emancipación afroamericana, 'Billete sin retorno' en el MoMA

Emancipación afroamericana, 'Billete sin retorno' en el MoMA

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  • Cubierta, para William Attaway, "Con ropa de trabajo"  por Charles Alston. "Blood on the Forge", (1941)

    Cubierta, para William Attaway, "Con ropa de trabajo" por Charles Alston. "Blood on the Forge", (1941)

    Cover from William Attaway, with dust jacket by Charles Alston. Blood on the Forge. Garden City, NY: Doubleday, Doran & Co., Inc., 1941. Collection of Leon F. Litwack. Photograph courtesy Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library
  • Jacob Lawrence. The Migration Series. Panel 17 (1940-41)

    Jacob Lawrence. The Migration Series. Panel 17 (1940-41)

    Jacob Lawrence. The Migration Series. 1940-41. Panel 17: “The migration was spurred on by the treatment of the tenant farmers by the planter.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.
  • Cubierta por Richard Wright, dirección foto por Edwin Rosskam. "12 millones de voces negras"

    Cubierta por Richard Wright, dirección foto por Edwin Rosskam. "12 millones de voces negras"

    Cover from Richard Wright, with photo-direction by Edwin Rosskam. 12 Million Black Voices. New York: Viking Press, 1941. Collection of Leon F. Litwack. Photograph courtesy Manuscript, Archives, and Rare Book Library, Emory University.

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